I’ve been working more with polyrhythms and patterns of different length multiples, e.g. a bass pattern that’s nine beats long, a synth line five beats long and a drum beat three beats long. This leads to some interesting tensions and recombinations, which can be heard on recent tracks such as Theoretician v.01, Dark Lord v.01 and Papa Ghede v.02. This is a different direction from the hypnotic repetition and lush spaces of Elsewhere, and I’m interested in hearing where these sketches lead.