Live session at Flow, 2011-07-16 (1h04m59s, 137.1 MB MP3): A tad busier than the usual mood for me, my live session of improvised, original downtempo electronic music at Flow.
Tag Archives: beats
Unwind resumes for 2011 summer
Unwind, a weekly event for ambient, downtempo, experimental electronic and nujazz music, returns to the patio at CS3 for the summer, starting with a kick-off party on Friday, June 3, 2011.
Join me and fellow residents Adejai (aka Josh Helton) and Josh Elias along with occasional special guests every Friday this summer from 8 p.m. until later on the patio at CS3: Calhoun Street Soups, Salads, and Spirits.
Sponsored by Fort Wayne Electronic Music (FTWEM). Find Unwind and FTWEM on Facebook.
In preparation, I have posted 2011-05-31 Unwind practice live session for FREE download. It’s much more beat-oriented than I intend to play, but I was trying out different configs for my Ableton setup.
UPDATE: I moved the 2011-05-31 Unwind practice live session (1hr00m27s, 72.6 MB MP3) from my Soundcloud to here for posterity.
From-the-vault podcast mix: Live at Reunion, 2002-10-13 (2010 Remaster)
My next from-the-vault podcast is a live set at a show called Reunion, from October, 2002 (46min:13sec, 83.2 MB MP3). It is similar in style to my recent podcast of Live bedroom session, 2003-04-06 (2010 Remaster). IIRC, I hadn’t had a live show for some time before this one, so it was a chance for me to pull-out all the stops. I had developed a semi-modular performance approach at the time, mixing between sequences on both the MPC and Nord Micro Modular while tweaking EQ, filters and envelopes on-the-fly.
NOTES: My gear for this session consisted of an Akai MPC-2000 sampler/sequencer, Nord Lead 2 digital synth, Nord Micro Modular synth, Mackie 1604-VLZ mixer, Digitech Studio 400 multi-effects, Alesis Microverb III multi-effects, Digitech RDS-4000, Presonus stereo compressor. I added EQ, multiband dynamics, stereo widening and loudness maximizing to clean up the mix and remaster for 2010.
From-the-vault podcast mix: Live bedroom session, 2003-04-06 (2010 Remaster)
My next from-the-vault podcast is a live bedroom session from April, 2003 (41min:54sec, 68.2 MB MP3). This is a rare recording of a wandering jam session from seven years ago, made during an otherwise inactive musical period for me. It starts with an extended section of repetitive, gate-y trance elements, then evolves into rising, acid lines and hard electro beats before finding its groove towards the end with some groovy micro house and glitch-y, chill-out lounge.
NOTES: My gear for this session consisted of an Akai MPC-2000 sampler/sequencer, Nord Lead 2 digital synth, Nord Micro Modular synth, Mackie 1604-VLZ mixer, Digitech Studio 400 multi-effects, Alesis Microverb III multi-effects, Digitech RDS-4000, Presonus stereo compressor. I added EQ, multiband dynamics, stereo widening and loudness maximizing to clean up the mix and remaster for 2010.
From-the-vault podcast mix: Live at Boogie Man, 1997-10-25 (2010 Remaster)
Since the new album dropped, I’ve been busy recording a large section of my early catalog (1996–2002) from the original minidiscs. My intention is to remaster the lot and begin a regular schedule of from-the-vault podcast mixes and selected re-releases.
First up is a live set recorded at Boogie Man in October, 1997 (1hr:01min, 116 MB MP3). IIRC, the event took place in a former slaughterhouse in New Haven, IN, surrounded by disused warehouses and busy railroad tracks. Musically, it sounds like I was trying to combine hard, abstract techno polyrhythms with hooky electro melodies and funky dub basslines. Parts sound a bit rigid and muddy now, but it was 13 years ago and I’ve come a long way, baby.
Tracklist (made from notes at the time; most titles likely would have changed since then):
- 3MB
- Beeg
- Beg2
- Untitled (1997-09-21)
- Homeward, Spirus (1997-09-22)
- Orgy
- Beq 01
- Dexu 01
NOTES: My gear for the show consisted of an Akai MPC-2000 sampler/sequencer, Alesis SR-16 drum machine, Novation BassStation analog monosynth, Korg Prophecy digital monosynth, Yamaha TG-33 digital synth, Fostex line mixer (it doesn’t sound like I had my Mackie yet), Alesis Microverb III multi-effects, Digitech RDS-4000 flanger/chorus/delay, DOD distortion and flanger pedals. The overdrive on the SR-16 drums is intentional, and the occasional ducking comes from the automatic limiter on the minidisc recorder. I added EQ, multiband dynamics, stereo widening and loudness maximizing to clean up the mix and remaster for 2010.