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	<title>Nofi dot org &#187; critical</title>
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		<title>Workshop it</title>
		<link>http://www.nofi.org/2009/06/24/workshop-it/</link>
		<comments>http://www.nofi.org/2009/06/24/workshop-it/#comments</comments>
		<pubDate>Wed, 24 Jun 2009 19:03:18 +0000</pubDate>
		<dc:creator>Jeffrey Melton</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[critical]]></category>
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		<guid isPermaLink="false">http://www.nofi.org/?p=1317</guid>
		<description><![CDATA[I&#8217;ve been thinking a lot about the creative work I come across, whether in person or online. I&#8217;m a big fan of the critique and can lend a critical eye/ear/voice most of the time. I think it&#8217;s important to judge &#8230; <a href="http://www.nofi.org/2009/06/24/workshop-it/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been thinking a lot about the creative work I come across, whether in person or online. I&#8217;m a big fan of the critique and can lend a critical eye/ear/voice most of the time. I think it&#8217;s important to judge a work on its own terms, in a variety of relevant contexts in order to offer constructive tips on how to make something better or more effective. With that, I&#8217;ve formulated the following breakdown:</p>
<ul>
<li> 50% of all work is sub-par or unremarkable, i.e. upholding the status quo.</li>
<li> 45% of the remainder tends to exist for shallow issues only, i.e. as decoration, current fashion or surface styling only.</li>
<li>5% is great and to be appreciated and recommended.</li>
</ul>
<p>YMMV.</p>
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