Long time, no post. (If you don’t already, add me on Soundcloud, Twitter and/or Facebook for more frequent updates. This site has become more of a hub and archive rather than a hotbed of activity like those above.) I recently converted this site template over to HTML5 (thanks in part to reading the excellent HTML5 for Web Designers by Jeremy Keith). Next, I intend to replace the Flash-based media player with an HTML5 version, which will deprecate better in less-than-modern browsers. If you notice any problems, let me know. I also updated my discography with current availability information.
I have been busy working on new compositions, some of which can be heard in my Recent work set. They continue to feature generative beats, synth patterns and polyrhythms. I’ve also been exploring techniques in granular synthesis, including using the new (and recommended) Density M4L and Pulsaret M4L devices, to explore the world of microsound. I have utilized some aspects of granularity in the past but hadn’t been able to pay much attention to the full scope and theory until recently. I find myself fascinated at the variety and range of tones and rhythms that come from making slight changes to the source material. I also like moving away (at least as an option) from rigid note quantization and the familiar timeline of sequence-based composing. I created a Microsound set with some recent pieces, so have a listen to hear what I mean.
I’ve been re-reading some books by Marshall McLuhan, including The Medium is the Massage: An Inventory of Effects
and War and Peace In the Global Village
. His work is so dense with non-traditional ideas about media and culture, I often have to take it in small doses. I am awaiting delivery of the books Microsound by Curtis Rhodes
and Electronic Music and Sound Design by Alessandro Cipriani and Maurizio Giri
and look forward to reading them over the holidays. (All links to books above kickback to my Amazon affiliate account.)
Happy Holidays and “Cheers, thanks a lot!”