Link love for June 3rd

To celebrate Yayoi Kusama’s eightieth year, Gagosian Gallery is presenting two major interrelated exhibitions of her recent work (above).

Images of Brian Eno’s recent 77 Million Paintings installation at the Sydney Opera House.

New Math, by Craig Damrauer.

WANT: Neuton CE 6 Rechargeable Lawn Mower.

David Lynch’s new Interview Project.

WANT: Bali 12-Bottle Wine Rack.

Neil Voss’s music generating iPhone puzzler, xgon.

100 Abandoned Houses.

Hulu Desktop beta for Mac OS X.

Use the Mac OS X app Self Control when you need to limit your online temptations.

Link love 2009-04-24

Babushka (above) is a modern, lit version of the classic Russian Doll. Turn Babushka on and off by pushing down on the top of the light, and watch it faze through its cycle revealing varied colors as it goes.

Field is an open source framework that combines code and visual views for creating dynamic media arts.

NYT food writer Mark Bitman maintains a vegan diet during the day, but says anything goes after 6 p.m.

One of our favorite sketch comedy shows, The State, is finally coming to DVD.

This Belkin surge protector is a great idea for turning off your electronics when they’re inactive.

Check out this Flickr set of vintage beer cans.

Amazing concept artwork from Andree Wallin (despite the huge, annoying site header).

The Teenage Engineering OP-1 is so cool we want one even though we don’t know what it does.

Ari Versluis and Ellie Uyttenbroek have spent the last 15 years studying the dress codes of social groups and published a book and website featuring their photographs and findings, called Exactitudes.

’241543903′ is the tag for photos of people putting their head in a freezer.

MTV Cherry Girl is an impulsive character, who finds that her actions, which are seemingly self-indulgent, can have a positive effect on the people and environment around her.

Broadcast at Pratt Manhattan Gallery presents a selection of works, dating from the 1960s to the present, that interrupt broadcasting systems in order to examine or challenge the structure, influence, and power of mainstream television and radio.

Cut-up and pasted-together photos of locations in New York depict unseen herds.

J.G. Ballard proves you should live a bit before writing.

More from the memory vaults

Upon re-reading my previous post, I realized that each ‘chapter’ could have a (tongue-in-cheek) title and bit of explanation:

  1. The ‘American Top 40′ years: Most of my exposure to new music was either from listening to popular radio, my older sister or a classmate or the occasional middle school dance.
  2. The ‘Radical Romper Room’ years: Most of my exposure was from a late-night, local radio show which showcased ‘alternative rock’ and ‘modern music.’ I used to stay up long enough to start recording it on Sundays, then listen to the tape the whole week and note what I liked.
  3. The ’120 Minutes’ years: Same as above, but leads were garnered from videotaping the late-night show on MTV and tracking down what I liked.
  4. The ‘long haired’ years: I bought (and sold) a lot of CDs at local record stores, taking a chance on whether I would like it or not.
  5. The ‘underground (aka rave/chill-out room)’ years: I acquired music as inspiration for my work — music as the soundtrack to my life.
  6. The ‘post-cool/hip’ years: A lot discovered on Much Music, MTV2 and the internet — music as personal identity.
  7. The ‘digital/eclectic’ years: Largely discovered on Amazon, iTunes and Usenet — music as supplement rather than center.

/musings.