Shoot from edge to edge with the Lomo Sprocket Rocked Panorama camera (above).
That Spunky Sound 0.12 particle synthesizer.
Greek your text Like a Boss with the Gangsta Lorem Ipsum generator.
There’s a new Processing Plug-in for Eclipse.
K. Stockhausen’s Advice To Clever Children.
The OXO Candela Zoom makes us want to sleep with a night light again.
Nicole Lazzaro’s “The Future of UX is Play: The 4 Keys to Fun, Emotion and User Engagement” (video).
Hiroshima: The Lost Photographs
A short manifesto on the future of attention.
The mystery of Times New Roma.
Finalists for the 2009 James Dyson Award.
Lessons from slime mold: how to survive and thrive in ever-changing organizational environments.
Top twenty finalists of ReBurbia, a suburban design competition.
Growing ideas in the garden of innovation.
Photos of the last suppers of inmates on death row in the USA.
WANT: Victorinox Travel Alarm 1884 Limited Edition (above)
How David Beats Goliath: When underdogs break the rules, by Malcolm Gladwell.
Glitch Sequencer: Cellular automaton based MIDI sequencer.
Font Squirrel offers handpicked free fonts for graphic designers with commercial-use licenses.
LOST labels for your DHARMA Initiative needs.
Mega-Regions and High-Speed Rail, by Richard Florida.
Rare Book Room as an impressive collection of hi-res images of full ancient books,
Lately I’ve been musing about the importance of typography in design. For me, the choice and relationship of font families is key to both the visual style of an individual project and the overall brand identity of the organization. Just like art and photo direction, color palette, arrangement & page layout, and ink & paper selection, typography is an essential element of visual communication. For me, typography is content.