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	<title>Nofi dot org &#187; typography</title>
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	<link>http://www.nofi.org</link>
	<description>The website of Jeffrey Melton: artist, designer, composer, producer, performer, sound artist.</description>
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		<title>Link love for October 29</title>
		<link>http://www.nofi.org/2010/10/29/link-love-for-october-29/</link>
		<comments>http://www.nofi.org/2010/10/29/link-love-for-october-29/#comments</comments>
		<pubDate>Fri, 29 Oct 2010 13:49:58 +0000</pubDate>
		<dc:creator>Jeffrey Melton</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[business]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[clients]]></category>
		<category><![CDATA[coding]]></category>
		<category><![CDATA[composing]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[emotion]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[freelance]]></category>
		<category><![CDATA[java]]></category>
		<category><![CDATA[layout]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Lomo]]></category>
		<category><![CDATA[media-arts]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[negative]]></category>
		<category><![CDATA[neuroscience]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[processing]]></category>
		<category><![CDATA[products]]></category>
		<category><![CDATA[programming]]></category>
		<category><![CDATA[shopping]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[synthesis]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[user experience]]></category>
		<category><![CDATA[UX]]></category>

		<guid isPermaLink="false">http://www.sympathyfortherobots.com/?p=416</guid>
		<description><![CDATA[Shoot from edge to edge with the Lomo Sprocket Rocked Panorama camera (above). That Spunky Sound 0.12 particle synthesizer. Greek your text Like a Boss with the Gangsta Lorem Ipsum generator. There’s a new Processing Plug-in for Eclipse. A new &#8230; <a href="http://www.nofi.org/2010/10/29/link-love-for-october-29/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://feedproxy.google.com/~r/hypebeast/feed/~3/Xv5dXChlIig/">Shoot from edge to edge with the Lomo Sprocket Rocked Panorama camera</a> (above).</p>
<p><a href="http://thestrangeagency.com/that-spunky-sound-0-12/">That Spunky Sound 0.12 particle synthesizer</a>.</p>
<div>
<p><a href="http://feedproxy.google.com/~r/Swissmiss/~3/4erFNJ1w2MU/gangsta-lorem-ipsum.html">Greek your text <em>Like a Boss</em> with the Gangsta Lorem Ipsum generator.</a></p>
<p><a href="http://benfry.com/writing/archives/738">There’s a new Processing Plug-in for Eclipse</a>.</p>
<p><a href="http://arstechnica.com/science/news/2010/10/surprise-now-youll-remember-this-article-forever.ars?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss">A new experiment shows that memory of inconsequential events is improved significantly when they happen around the same time as a novel, exciting, or surprising one.</a> BOO!</p>
<p><a href="http://creativebits.org/spec_work">A letter you can send to requests for spec work if you want to decline politely and explain the reasons for your decision</a>.</p>
<p><a href="http://www.stockhausen.org/ksadvice.html">K. Stockhausen&#8217;s <em>Advice To Clever Children</em></a>.</p>
<p><a href="http://feedproxy.google.com/~r/Swissmiss/~3/yWWrnMDF7xo/zoom.html">The OXO Candela Zoom makes us want to sleep with a night light again</a>.</p>
<p><a href="http://feedproxy.google.com/~r/adaptivepath/~3/t63ecIMjsk8/">Nicole Lazzaro’s “The Future of UX is Play: The 4 Keys to Fun, Emotion and User Engagement”</a> (video).</p>
</div>
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		<item>
		<title>Link love for August 10, part 2</title>
		<link>http://www.nofi.org/2010/08/10/link-love-for-august-10-part-2/</link>
		<comments>http://www.nofi.org/2010/08/10/link-love-for-august-10-part-2/#comments</comments>
		<pubDate>Tue, 10 Aug 2010 18:55:00 +0000</pubDate>
		<dc:creator>Jeffrey Melton</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[1980s]]></category>
		<category><![CDATA[1990s]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[biology]]></category>
		<category><![CDATA[biomimicry]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[graphic design]]></category>
		<category><![CDATA[handwriting]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[ideas]]></category>
		<category><![CDATA[innovation]]></category>
		<category><![CDATA[knowledge sharing]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[letters]]></category>
		<category><![CDATA[libraries]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[music videos]]></category>
		<category><![CDATA[openness]]></category>
		<category><![CDATA[typography]]></category>

		<guid isPermaLink="false">http://www.sympathyfortherobots.com/?p=397</guid>
		<description><![CDATA[The origins of abc (above). OpenIDEO Where did the money to rebuild Iraq go? (infographic) Penguin 75: Designers, Authors, Commentary. Amon Tobin records The Foley Room (video). Why the next big pop-culture wave after cupcakes might be libraries. An archive &#8230; <a href="http://www.nofi.org/2010/08/10/link-love-for-august-10-part-2/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://feedproxy.google.com/~r/ILoveTypography/~3/emluw-iz3rg/">The origins of abc (above)</a>.</p>
<p><a href="http://openideo.com/">OpenIDEO</a></p>
<p><a href="http://www.good.is/post/infographic-where-did-the-money-to-rebuild-iraq-go/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+good%2Flbvp+%28GOOD+Main+RSS+Feed%29">Where did the money to rebuild Iraq go? (infographic)</a></p>
<p><a href="http://www.designrelated.com/news/feature_view/50">Penguin 75: Designers, Authors, Commentary</a>.</p>
<p><a href="http://www.synthtopia.com/content/2010/07/25/amon-tobin-records-the-foley-room/">Amon Tobin records The Foley Room (video)</a>.</p>
<p><a href="http://www.npr.org/blogs/monkeysee/2010/07/20/128651136/why-the-next-big-pop-culture-wave-after-cupcakes-might-be-libraries?ft=1&amp;f=93568166">Why the next big pop-culture wave after cupcakes might be libraries.</a></p>
<p><a href="http://tylerc.com/120minutes/">An archive of MTV&#8217;s &#8217;120 Minutes&#8217;.</a></p>
<p><a href="http://feedproxy.google.com/~r/designspongeonline/njjl/~3/zi8W07dIxb0/past-present-handwriting-and-flourish-art.html">Handwriting and flourish art.</a></p>
<p><a href="http://www.variety.com/article/VR1118020254.html?categoryid=19&amp;cs=1">Ford films found in Kiwi vault.</a></p>
<p><a href="http://www.popsci.com/science/article/2010-05/j-craig-venter-institute-creates-worlds-first-synthetic-cell">Researchers create the world&#8217;s first synthetic cell.</a></p>
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		<title>Link love for August 17th</title>
		<link>http://www.nofi.org/2009/08/17/link-love-for-august-17th/</link>
		<comments>http://www.nofi.org/2009/08/17/link-love-for-august-17th/#comments</comments>
		<pubDate>Mon, 17 Aug 2009 14:39:46 +0000</pubDate>
		<dc:creator>Jeffrey Melton</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[attention]]></category>
		<category><![CDATA[biology]]></category>
		<category><![CDATA[biomimicry]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[fonts]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[illustration]]></category>
		<category><![CDATA[innovation]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[placemaking]]></category>
		<category><![CDATA[print]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[short fiction]]></category>
		<category><![CDATA[suburbia]]></category>
		<category><![CDATA[typography]]></category>

		<guid isPermaLink="false">http://www.sympathyfortherobots.com/?p=278</guid>
		<description><![CDATA[We Are The Friction (above) is a book of illustration and short fiction created by 12 pairs of international writers and illustrators Hiroshima: The Lost Photographs A short manifesto on the future of attention. The mystery of Times New Roma. &#8230; <a href="http://www.nofi.org/2009/08/17/link-love-for-august-17th/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.singstatistics.co.uk/"><em>We Are The Friction</em> (above) is a book of illustration and short fiction created by 12 pairs of international writers and illustrators</a></p>
<p><a href="http://observatory.designobserver.com/entry.html?entry=7517">Hiroshima: The Lost Photographs</a></p>
<p><a href="http://observatory.designobserver.com/entry.html?entry=10297">A short manifesto on the future of attention.</a></p>
<p><a href="http://www.ft.com/cms/s/2/a2fa033e-7ca1-11de-a7bf-00144feabdc0.html">The mystery of Times New Roma.</a></p>
<p><a href="http://www.treehugger.com/galleries/2009/08/invention-overload-james-dyson-award-slideshow.php?page=1">Finalists for the 2009 James Dyson Award</a>.</p>
<p><a href="http://www.asis.org/Bulletin/Aug-09/AugSep09_Rutter.html">Lessons from slime mold: how to survive and thrive in ever-changing organizational environments</a>.</p>
<p><a href="http://www.re-burbia.com/finalists/">Top twenty finalists of ReBurbia, a suburban design competition</a>.</p>
<p><a href="http://www.namahn.com/resources/interview/scott-berkun-growing-ideas">Growing ideas in the garden of innovation.</a></p>
<p><a href="http://feedproxy.google.com/~r/Swissmiss/~3/7jJui6PV82E/last-suppers.html">Photos of the last suppers of inmates on death row in the USA.</a></p>
<p><a href="http://feedproxy.google.com/~r/ILoveTypography/~3/Pb6da2dm9XI/">The Font-as-Service</a>.</p>
<p><a href="http://www.vanityfair.com/culture/features/2009/09/mad-men200909">Bruce Handy on <em>Mad Men</em></a>.</p>
<p><a href="http://www.salon.com/books/review/2009/08/06/cahokia/">Archaeologists are slowly unearthing the ghastly secrets of Cahokia, an ancient city under the American heartland</a>.</p>
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		<title>Link love 2009-05-14</title>
		<link>http://www.nofi.org/2009/05/14/link-love-2009-05-14/</link>
		<comments>http://www.nofi.org/2009/05/14/link-love-2009-05-14/#comments</comments>
		<pubDate>Thu, 14 May 2009 20:13:19 +0000</pubDate>
		<dc:creator>Jeffrey Melton</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[development]]></category>
		<category><![CDATA[DJing]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[fonts]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[search]]></category>
		<category><![CDATA[SEO]]></category>
		<category><![CDATA[sharing]]></category>
		<category><![CDATA[shopping]]></category>
		<category><![CDATA[sociology]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[urban]]></category>

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		<description><![CDATA[WANT: Victorinox Travel Alarm 1884 Limited Edition (above) If you can&#8217;t buy it legally, of course you&#8217;ll download it: Staggered film releases no longer work in a global economy and are to blame for the rise of pirate websites. How &#8230; <a href="http://www.nofi.org/2009/05/14/link-love-2009-05-14/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.swissarmy.com/Timepieces/Pages/Product.aspx?category=125th+anniversary+collection+-+timepieces&#038;product=241395&#038;">WANT: Victorinox Travel Alarm 1884 Limited Edition (above)<br />
</a></p>
<p><a href="http://www.guardian.co.uk/technology/2009/may/05/naomi-alderman-film-downloading">If you can&#8217;t buy it legally, of course you&#8217;ll download it: Staggered film releases no longer work in a global economy and are to blame for the rise of pirate websites</a>.</p>
<p><a href="http://www.newyorker.com/reporting/2009/05/11/090511fa_fact_gladwell?printable=true">How David Beats Goliath: When underdogs break the rules, by Malcolm Gladwell</a>.</p>
<p><a href="http://creativebits.org/toolbox/7_tips_good_portfolio">7 tips for a good portfolio</a>.</p>
<p><a href="http://www.glitch-sequencer.com/">Glitch Sequencer: Cellular automaton based MIDI sequencer</a>.</p>
<p><a href="http://www.fontsquirrel.com/">Font Squirrel offers handpicked free fonts for graphic designers with commercial-use licenses.</a></p>
<p><a href="http://maxpictures.com/weblog/2007/04/10/lost-labels-for-your-dharma-initiative-needs/">LOST labels for your DHARMA Initiative needs</a>.</p>
<p><a href="http://www.wolframalpha.com/">Wolfram|Alpha intends to be a global store of information that understands and responds to ordinary language in the same way a person does.</a></p>
<p><a href="http://correspondents.theatlantic.com/richard_florida/2009/05/mega-regions_and_high-speed_rail.php">Mega-Regions and High-Speed Rail, by  Richard Florida</a>.</p>
<p><a href="http://www.pacemaker.net/">Pacemaker is a revolutionizing music player and mixer with all the features you need to deejay anywhere, anytime.</a></p>
<p><a href="http://www.rarebookroom.org/">Rare Book Room as an impressive collection of hi-res images of full ancient books,</a></p>
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		<title>Typography is content</title>
		<link>http://www.nofi.org/2008/04/22/typography-is-content/</link>
		<comments>http://www.nofi.org/2008/04/22/typography-is-content/#comments</comments>
		<pubDate>Tue, 22 Apr 2008 14:01:27 +0000</pubDate>
		<dc:creator>Jeffrey Melton</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[archer]]></category>
		<category><![CDATA[art direction]]></category>
		<category><![CDATA[bodoni]]></category>
		<category><![CDATA[content]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[garamond]]></category>
		<category><![CDATA[gotham]]></category>
		<category><![CDATA[graphic]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[visual communication]]></category>

		<guid isPermaLink="false">http://www.nofi.org/?p=699</guid>
		<description><![CDATA[Lately I&#8217;ve been musing about the importance of typography in design. For me, the choice and relationship of font families is key to both the visual style of an individual project and the overall brand identity of the organization. Just &#8230; <a href="http://www.nofi.org/2008/04/22/typography-is-content/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-702" title="Typography slide" src="http://www.nofi.org/wordpress/wp-content/uploads/2008/04/typography-slide.jpg" alt="" width="500" height="300" /></p>
<p>Lately I&#8217;ve been musing about the importance of typography in design. For me, the choice and relationship of font families is key to both the visual style of an individual project and the overall brand identity of the organization. Just like art and photo direction, color palette, arrangement &amp; page layout, and ink &amp; paper selection, typography is an essential element of visual communication. For me, <strong>typography is content</strong>.</p>
<p><span id="more-699"></span></p>
<p>After a year and a half of developing and tinkering, I think I&#8217;ve arrived at a style sheet for my work projects that&#8217;s expressive, flexible and focused. Above are examples and below a list of the main type families in my tool box:</p>
<ol>
<li><a href="http://www.typography.com/fonts/font_overview.php?productLineID=100008">Gotham</a> &#8211; An excellent geometric sans serif based on the disappearing architectural lettering around New York City, it was the winner of our short list (which included Avenir, Helvetica Neue, Univers, Verlag and Whitney) to replace Franklin Gothic more than a year ago. To me, it conveys both old-world craftsmanship and new-world sophistication. I tend to use its many weights for display headlines and occasionally for body copy. BTW, it&#8217;s amusing to see <a href="http://www.latimes.com/features/lifestyle/la-ig-font30mar30,1,7655295.story">Gotham get some notoriety as the signature font for Obama&#8217;s presidential campaign</a>. I&#8217;ve also noticed it starting to show up in commercials and network news graphics.</li>
<li><a href="http://www.typography.com/fonts/font_overview.php?productLineID=100033">Archer</a> &#8211; I used to find little use for slab serifs, but this recent addition is a nice bridge between sans and serif. To me, its numerous weights range from lightness to solidity. I&#8217;ve started using it as an accent for headlines and subheads.</li>
<li><a href="http://www.adobe.com/type/browser/landing/garamond/garamond.html">Garamond Premier Pro</a> &#8211; Mostly for body copy and as a serif subhead alternative, this conveys to me tradition and readability above everything else. Another favorite is Caslon,  but I haven&#8217;t had much occasion to use it.</li>
<li><a href="http://www.typography.com/fonts/font_styles.php?productLineID=100008&amp;variantTypeID=&amp;itemID=200005&amp;cpuCount=">Gotham Condensed</a> &#8211; Very readable in smaller spaces, I use it for call-to-action statements and tabular data.</li>
<li><a href="http://www.fonts.com/FindFonts/detail.htm?pid=243171">Bodoni MT</a> (not pictured) &#8211; Reminds me of mid-century modernism, I use it as a more playful and less stuffy serif alternative to Garamond for short blocks of text.</li>
</ol>
<p>You can view <a href="http://www.coroflot.com/public/individual_details.asp?individual_id=37013&amp;sort_by=1&amp;">more examples of my recent work on Coroflot.</a></p>
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		<title>Processing: Random font test 03</title>
		<link>http://www.nofi.org/2007/08/08/processing-random-font-test-03/</link>
		<comments>http://www.nofi.org/2007/08/08/processing-random-font-test-03/#comments</comments>
		<pubDate>Wed, 08 Aug 2007 19:00:28 +0000</pubDate>
		<dc:creator>Jeffrey Melton</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[applet]]></category>
		<category><![CDATA[blur]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[filter]]></category>
		<category><![CDATA[fonts]]></category>
		<category><![CDATA[Generative art]]></category>
		<category><![CDATA[graphics]]></category>
		<category><![CDATA[java]]></category>
		<category><![CDATA[media-arts]]></category>
		<category><![CDATA[open-source]]></category>
		<category><![CDATA[processing]]></category>
		<category><![CDATA[random]]></category>
		<category><![CDATA[type]]></category>
		<category><![CDATA[typography]]></category>

		<guid isPermaLink="false">http://www.nofi.org/2007/08/08/processing-random-font-test-03/</guid>
		<description><![CDATA[Random font test 03 is my first foray into using text functions in Processing. Yes, I&#8217;m still working with procedural code. Eventually, I hope to get my head around true object oriented programming (OOP) for more interactivity and generative art &#8230; <a href="http://www.nofi.org/2007/08/08/processing-random-font-test-03/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0060.jpg" title="text-0060.jpg" rel="lightbox[Random font test 03]"><img src="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0060.thumbnail.jpg" alt="text-0060.jpg" border="0" /></a> <a href="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0393.jpg" title="text-0393.jpg" rel="lightbox[Random font test 03]"><img src="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0393.thumbnail.jpg" alt="text-0393.jpg" border="0" /></a> <a href="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0263.jpg" title="text-0263.jpg" rel="lightbox[Random font test 03]"><img src="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0263.thumbnail.jpg" alt="text-0263.jpg" border="0" /></a></p>
<p><a href="http://www.nofi.org/processing/random_font_test03/">Random font test 03</a> is my first foray into using text functions in <a href="http://www.processing.org/" title="processing.org">Processing</a>. Yes, I&#8217;m still working with procedural code. Eventually, I hope to get my head around true object oriented programming (OOP) for more interactivity and generative art goodness. Above and below are a few stills (click to enlarge), and hereâ€™s a <a href="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/font_test03.mov" title="font_test03.mov">short movie of the results</a> (1.25 MB .mov), also <a href="http://www.vimeo.com/266406">on Vimeo</a>.</p>
<p><a href="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0511.jpg" title="text-0511.jpg" rel="lightbox[Random font test 03]"><img src="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0511.thumbnail.jpg" alt="text-0511.jpg" border="0" /></a> <a href="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0540.jpg" title="text-0540.jpg" rel="lightbox[Random font test 03]"><img src="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0540.thumbnail.jpg" alt="text-0540.jpg" border="0" /></a> <a href="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0025.jpg" title="text-0025.jpg" rel="lightbox[Random font test 03]"><img src="http://www.nofi.org/wordpress/wp-content/uploads/2007/08/text-0025.thumbnail.jpg" alt="text-0025.jpg" border="0" /></a></p>
<p><a href="http://www.nofi.org/processing/random_font_test03/"></a></p>
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		</item>
		<item>
		<title>I</title>
		<link>http://www.nofi.org/2007/02/08/i/</link>
		<comments>http://www.nofi.org/2007/02/08/i/#comments</comments>
		<pubDate>Thu, 08 Feb 2007 19:07:33 +0000</pubDate>
		<dc:creator>Jeffrey Melton</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[branding]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[fonts]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[type]]></category>
		<category><![CDATA[typefaces]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[Visual]]></category>

		<guid isPermaLink="false">http://www.nofi.org/2007/02/08/i/</guid>
		<description><![CDATA[Working on a long-term design plan and identity system at my current job has rekindled my love for typographyâ€”from the historical to the contemporary. Below are some of the resources which I've found useful: <a href="http://www.nofi.org/2007/02/08/i/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Working on a long-term design plan and identity system at my current job has rekindled my love for typographyâ€”from the historical to the contemporary. Below are some of the resources which I&#8217;ve found useful:</p>
<ul>
<li><a href="http://www.amazon.com/gp/redirect.html%3FASIN=1568984480%26tag=nofifoundatio-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/1568984480%253FSubscriptionId=0EMV44A9A5YT1RVDGZ82"><em>Thinking with Type: A Critical Guide for Designers, Writers, Editors, &#038; Students</em> by Ellen Lupton</a></li>
<li><a href="http://www.amazon.com/gp/redirect.html%3FASIN=392725889X%26tag=nofifoundatio-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/392725889X%253FSubscriptionId=0EMV44A9A5YT1RVDGZ82"><em>20Th-Century Type Remix</em>  by Lewis Blackwell</a></li>
<li><a href="http://www.amazon.com/gp/redirect.html%3FASIN=0811823083%26tag=nofifoundatio-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/0811823083%253FSubscriptionId=0EMV44A9A5YT1RVDGZ82"><em>Typology: Type Design from the Victorian Era to the Digital Age</em> by Steven Heller, Louise Fili</a></li>
<li><a href="http://www.amazon.com/gp/redirect.html%3FASIN=1845110285%26tag=nofifoundatio-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/1845110285%253FSubscriptionId=0EMV44A9A5YT1RVDGZ82"><em>Type: The Secret History of Letters</em> by Simon Loxley</a></li>
<li><a href="http://www.amazon.com/gp/redirect.html%3FASIN=1567920047%26tag=nofifoundatio-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/1567920047%253FSubscriptionId=0EMV44A9A5YT1RVDGZ82"><em>A Tally of Types</em> by Stanley Morison, Brooke Crutchley</a></li>
<li><a href="http://www.amazon.com/gp/redirect.html%3FASIN=0471783900%26tag=nofifoundatio-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/0471783900%253FSubscriptionId=0EMV44A9A5YT1RVDGZ82"><em>Typographic Design: Form and Communication</em> by Rob Carter, Ben Day, Philip B. Meggs</a></li>
<li><a href="http://www.amazon.com/gp/redirect.html%3FASIN=1568301901%26tag=nofifoundatio-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/1568301901%253FSubscriptionId=0EMV44A9A5YT1RVDGZ82"><em>Digital Type Design Guide: The Page Designer&#8217;s Guide to Working With Type</em> by Sean Cavanaugh, Ken Oyer</a></li>
<li><a href="http://www.fontshop.com/products/fontbook.cfm"><em>FontBook: Digital Typeface Compendium</em> by FontShop</a></li>
</ul>
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